The homework that inspires horror in families

French-boy-inclass

Homework can sometimes be a nightmare – for both children and their parents. In France the ritual of copying out poems and learning them by heart is no exception and can fill whole families with horror, writes Joanna Robertson in Paris.

Twenty-six pupils have carefully copied, in regulation cursive script, in their homework diaries: “Friday. Poetry book. Recite.”

Le cahier de poesie – the poetry book – is a standard-format exercise book required by every primary school child in France. Ninety-four mixed pages, lined and blank. The lined – for the pupil to copy out the text of a poem. The blank – for them to provide an illustration.

They’ll copy out, illustrate, learn by heart and recite – in front of the class – poems ranging from La Chanson de Roland, an epic from the 11th Century, to poems written just a few months ago. And rest assured, no-one will escape a thorough knowledge of the 17th Century fables of Jean de la Fontaine.

There’s a typically rigorous marking system for handwriting, drawing, tone and expression and, most importantly, memory. You’ll sail through with neat handwriting and perfect recall, but flunk entirely if you’re a scatty, messy, budding Matisse.

One by one, in turn, pupils walk up to the blackboard, take a deep breath and begin.

Amandine, a bookish nine-year-old with purple glasses, remembers something even worse: “It’s a big thing to get up there in front of the class,” she says and describes how one boy “opened his mouth and nothing came out – he wet himself, we could all see it.”

But the trauma must mostly be eventually forgotten because the cahier de poesie is the schoolbook most cherished by both parents and children. It’s a shared national experience that reaches across generations.

Nadia Goutal, the daughter of Russian immigrants fleeing the revolution, still has the poetry books from her 1930s schooldays – and those of her daughters from the 1960s and 70s. Now, her five grandchildren have carried the collection into the 21st Century.

“The poems are all there still in my head,” she says. “Baudelaire, Rimbaud, Ronsard, Verlaine and Shakespeare – in English: ‘To be or not to be.’ What my grandchildren learn is different, more Jacques Prevert and Maurice Careme. Even with poetry, fashions change.”

With about 10 to 15 poems each school year, the poetry exercise book can be a homework nightmare. Families have different techniques for learning that poem by heart, and not all are willing to divulge their private, highly individual, methods.

Some dance around the room, chanting verses. Others have intricate poetry drills where mime and action become vital triggers. Bouncing vigorously up and down on the bed can get the stanzas to stick, as can singing them loudly in the shower. Chocolate is the bribe of choice, and parents can get sneaky.

At least one anxious mother, who prefers to remain anonymous, admits to quietly slipping her son’s poetry book out of his schoolbag while he slept and perfecting his drawing.

Although learning poetry has been part of French school life since the 1880s – and the country’s publishers print thousands of new poems each year – only about 1% of the population actually reads it as adults.

 
 

MORE ARTICLES

Leave a Reply

Your email address will not be published. Required fields are marked *